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Express Fight Club
| Express
Fight Club
A
Media-Guided Theater-Choreography
|
 Photo:
post theater [new york / berlin / tokyo]
| Concept
and artistic direction: Hiroko Tanahashi, Max Schumacher
Media art and programming: Yoann Trellu
Sound art and recording: Sibin Vassilev
Performance: Alexander SchroNder
Production management: Mario Stumpfe
Supported by Hauptstadtkulturfonds Berlin
Additional support by Tanznacht Berlin, Staatsoper Berlin,
National Museum of Singapore, Dock 11 Berlin, International
Festival of the Arts Castillia and Leon. |
|

gExpress Fight
Clubh is a performance on the question how and by what identity
is generated. The novel and movie gFight Clubh (by Chuck Palahniuk
/ David Fincher) are not important for the project - the sourcesf
idea of forming a subversive group is. post theater has created
a gFight Club: A Chorush with 48 performers in Singapore and Berlin
(National Museum of Singapore, 2007, State Opera Berlin, 2008).
gExpress Fight Clubh is a further development of these performances.
Groups of 15 audience members (version I, Berlin) or 21 (version
II, Salamanca) were transformed into performers , performing in
front of themselves. This gExpress Fight Clubh had originally
been commissioned by the Tanznacht Berlin Festival 2008. The International
Ferstival of the Arts in Castillia and Leon commissioned the second
version in 2009 (in Spanish language). In Taiwan will be the third
version of the project in November 2009. Further versions are planned.
The technical principle is always the same: A programmed vertical
video projection guides the participants in a DIY choreography (media
art: Yoann Trellu). Additional texts and sounds are prompted via
a surround sound system (sound art: Sibin Vassilev, virtual performer:
Alexander SchroNder). Media art provides orientation and creates
a virtual space.
The project challenges questions of identity on different levels.
The script debates the relationship between work and spare time
and how they facilitate the construction of identity. The performance
set-up allows a switch of roles and questions the concept of who
is a performer and who is an audience member. Underlying theme is
the urge to find alternatives to the every-day life in the consumer
society | as in the source material gFight Clubh.
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